Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
　　“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
　　The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.

　　墨西哥城高檔酒店內，年輕女傭自有心事。日復一日的漫長工作，總有打掃不盡的房間。她長途跋涉上班，無法照料年幼兒子，卻要幫客人看顧小孩。參加進修班，望能晉升到尊貴樓層。偶然拾獲紅裙，盼失物無人認領可據為己有。抹窗工人隔窗傳情，她其實更需要找到女性自我的聲音。來自劇場的阿維萊絲首拍長片即備受注目，以紀實眼光看打工女的生活與生存，發掘角色沉靜外表下的豐富情感，暗暗接通戴丹兄弟和艾方素卡朗的《羅馬》（2018）。

2016年，故地重回的赵生在重庆这座曾经的这片土地上回忆了过往母亲与父亲之间曲折破碎的爱情故事以自己对于父爱的抉择。通过纯真的爱情和朴素的亲情，对赵生叛逆而又孝顺的矛盾性格、丽春这样一个典型的中国传统女性的形象、大山这样淳朴、憨厚的农民形象的人物塑造，表达了他们一家人在重庆，他们爱情、亲情的历程；重庆这座城市见证了他们一家人感情经历的沧桑从他们一家的情感生活经历来刻画大环境重庆的变迁，提现人与时代的变迁感。

影片主要讲述人到中年的如花、甜筒辉为了实现主角梦，被骗闯荡东北，和以张家卫为首的东北三人组斗智斗勇的故事。

肥谷圭介话题漫画

　　2016年10月より上演され好評を博した同名舞台に新たなストーリー＆キャストを加えて映画化。非日常の世界で殺人ゲームに参加することになった少女たちの決死の闘いを描く。舞台版に続き主演を務めるNMB48の市川美織を筆頭に、次代を担う総勢40名の女優が集結。さまざまなコスチュームをまとい、切れ味抜群のアクションを披露する。ある日の放課後、門脇瀬名はハンカチを返すため、屋上で憑対弓立を待っていたが居眠りをしてしまった。目を覚ますと、彼女は暗くなった学校に閉じ込められていた。校内は電波も届かず電話も通じない。瀬名は手を切断されて苦しんでいる女子生徒を発見し……

　　男主角已经结婚，但是跟妻子并不相爱，有一天突然发现曾经的女神，可是又因为已婚的原因不敢多想，突然一天当自己醒来时，却发现被困在的一间密室，而女神跟自己困在一起，通过呼救他们发现，还有两间密室分别困着两个女人和两个男人，原来这三组人都是心中暗恋对方，却又因为禁忌的原因，把心中的爱掩饰了起来，而密室的管理者，则通过各种命令，让他们进行肉体上的触碰，从而表达出他们内心的爱意...

　　It is Friday night and five friends gather at a house in rural Australia. Their parents are out of town and it is time to celebrate the end of another school week. No big deal just a few drinks, a few laughs. As the night grows later, the teens reach a state of alcohol-induced openness. They reveal secrets, crushes and an unintentionally cruel streak. The final year of high school can be paradoxical. Having found some passions and close friends, you often begin to understand your own identity for the first time. And yet, still so young, you can't deny that you've so much to learn about yourself and the world. Maybe, despite thirteen straight years of schooling, you kind of don't know anything. A tribute to an awkward phase that we have all made it through and have powerful memories of, About An Age is a nostalgic coming-of-age film. With charm and authenticity, it examines themes of responsibility, first love and the passing of time via one single evening shared by a group of playful mates.

故事根据约翰·盖2004年所著传记《真实的玛丽·斯图亚特》改编，讲述玛丽·斯图亚特(罗南饰)和伊丽莎白一世(罗比饰)一度交恶，而她却不知自己已四面楚歌。

　　「カナリア」
　　監督：松永大司（「トイレのピエタ」）
　　出演：TAKAHIRO、夏帆、塚本晋也
　　「ファンキー」
　　監督：石井裕也（「映画 夜空はいつでも最高密度の青色だ」）
　　出演：岩田剛典、麻生久美子、池松壮亮
　　「アエイオウ」
　　監督：安藤桃子（「0.5ミリ」）
　　出演：白濱亜嵐、木下あかり、奥田瑛二
　　「Kuu」
　　監督：平林勇
　　出演：石井杏奈、山口乃々華、坂東希が出演
　　「Our Birthday」
　　監督：Yuki Saito
　　出演：青柳翔、佐津川愛美、芦名星、
　　「幻光の果て」
　　監督：岸本司
　　出演：山下健二郎、加藤雅也、中村映里子

　　一帮退休的罪犯在伦敦的珠宝区实施了一起重大抢劫案。

故事围绕一位教诲师和监狱死囚犯展开。