In this very late 60's irreverent, almost anarchic low-budget film, Brian De Palma defines more of his strange, given Hitchcock-like fascination of voyeurism, and attacks the issues of the day. The most prominent of which, both cringe-inducing and just plain funny, is when he focuses on the black-power movement (a black woman handing out fliers asking white people 'do you know what it's like to be black'), which is something that could only work for that time and place, not before or now.
　　But one of the key things to the interest in the film is 27 year old Robert De Niro (not his first or last film with the director), who plays this character who sits in a room looking out through his telescope at women in their rooms, setting up phony deals, and in the end basically throwing bombs. Those who have said that De Niro can't act and just is himself in every movie should see this movie, if only out of some minor curiosity. A couple of times in the film it's actually not funny, as when there's a disturbance in a black-power meeting (filmed in a grainer, rougher style than the rest of the film).
　　In the end it's capped off with a rambling monologue in an interview that tops De Niro's in King of Comedy. It's pretty obvious where De Palma's career would go after this, into slightly more mainstream Hollywood territory, but all of his trademarks are here the dark, almost nail-biting comedy, the perfectly timed style of voyeurism, and interesting usage of locals. Think if De Palma and De Niro did a Monty Python film, only even more low-budget and in its New York way just as off-the-hinges, and you got Hi, Mom! It also contains an eccentric and funny soundtrack.
　　imdb comment

Back Stage is a 1919 comedy, one of the last films that Buster Keaton would appear with Roscoe "Fatty" Arbuckle before they went their separate ways, Keaton would get his own studio, and Arbuckle got into feature length films. In this film, Keaton, Arbuckle, and others, work as stagehands, backstage of course, in a playhouse trying to help and in some cases, stay far away from the eccentric and diva-like performers. When the performers rebel and refuse to do the show, the stagehands, along with Arbuckle's love interest, the assistant of one of the rebelling performers, perform in their place- including Keaton showing his ability to do butterflies, no handed cartwheels, while in drag.

　　格里奥（乔迪·桑切斯 Jordi Sánchez 饰）是一名成功的银行家，同时也是皇家马德里球队的铁杆粉丝。格里奥刚刚失去了他的妻子，在遗愿中，妻子希望格里奥能够带着全家老小返回她的故乡，将她的骨灰撒进大海里。
　　和格里奥一起踏上旅途的有他的两个女婿，他们一个是巴塞隆纳队的超级球迷，另一个是看上去就极度不靠谱的嬉皮士，很显然，这两个男人都入不了格里奥的法眼。除此之外，格里奥还见到了两年没有联系过的小儿子，他接受不了小儿子的性取向，更接受不了他已经和一个塞内加尔裔黑人订婚的事实。这将注定是一场不平静的旅程，每个人都将在此过程中更加清晰的认识自我。

　　当事业有成的经纪米高佳华（蒂姆艾伦 饰）赴亚马逊森林去找他的太太签署婚书时，才发现一个意外惊喜──他竟然有一个由土著抚养长大的13岁儿子！米高结果同意带他的儿子返回自己的石屎森林纽约市，并很快就领略到儿子顽强的捣蛋天赋！同时期，他的儿子要适应米高的未婚妻及显赫的商界伙伴亦非容易，互相适应的过程绝对搞笑及精彩！

Larry the Cable Guy shares his hilarious takes on raising kids, getting older, and the ridiculous situations we face in today's world.

故事讲述了在美丽的沿海城市大连，偶然一天有人在海边沙滩发现一颗价值不菲的天然宝石，随后宝石几经辗转，落于不法豪商，专门经营宝石生意的九爷之手。九爷随后请来知名的宝石鉴赏家金教授，计划暗中以宝石相赠，再公开花三百万从金教授手中买回宝石，目的是通过金教授的知名度，将宝石的价位炒高，事后把三百万如数收回。双方正在私下商讨此事，窗外突然有人撞到玻璃，九爷及金教授双方同时看向窗外。短短几秒，再回头时，桌上的宝石变成了一粒大小相同的花生米。九爷大怒，当即搜查了房间内所有的人未果，于是宝石就这么丢失了……