在世界几乎完全被环境灾难淹没和污染之后，只有一小部分人类能够逃到太空殖民地开普勒星球寻求救赎。在太空中度过多年后，开普勒星球面临着威胁人类的危险，太空辐射诱发了人类不育危机。为了应对这个危机，由精英宇航员布莱克领导的载人飞行任务派人去探寻地球是否能再次居住的可能性，以及人类是否还有任何延续的希望。回到地球后，布莱克震惊地发现被他们抛弃的地球上还有一群名为泥泞的幸存人类一直生活着，他们在万难的环境中幸免于难。当她试图在开普勒星球上与她的人联系时，地球却又开始发生变化……

　　2019年11月，刀锋跑者霍顿（Morgan Paull 饰）在泰瑞尔公司对新员工进行沃伊特-坎普夫测试时，被技师里昂·科瓦尔斯基（Brion James 饰）枪击。警监布莱恩特（M. Emmet Walsh 饰）不得不命老牌刀锋跑者戴克（Harrison Ford 饰）出马，猎杀复制人里昂、罗伊·巴蒂（Rutger Hauer 饰）、佐拉（Joanna Cassidy 饰）、普里斯（Daryl Hannah 饰）。戴克来到泰瑞尔公司调查，在艾登·泰瑞尔博士（Joe Turkel 饰）的请求下，对员工瑞秋（Sean Young 饰）进行了测试。百余问题之后，戴克判断瑞秋为复制人。而瑞秋本人对此真相竟一无所知……

未来世界科技高度发达，星际旅行不再是梦想。在木星和土星之间曾有一个繁荣一时的空间殖民地“涡潮”，从地球专门有一条名为246666号公路的银河街道通往殖民地。不过在通车150年后，银河街道渐渐衰落，面临废除的命运。在这条路上，有一条小小的汉堡店，由极度热爱汉堡的店长诺亚（香取慎吾 饰）和妻子诺厄（绫濑遥 饰）共同经营。最近，诺亚怀疑妻子有外遇，为此忧心忡忡。这一天，诺亚的旧爱（优香 饰）带着怪异的丈夫（梶原善 饰）出现，让诺厄心中升起不安。与此同时，形形色色的人等相继来到店里，有的渴望来一次太空艳遇，有的决定吐露心中的秘密，有的执着追求诺厄，有的则被奇怪的幻觉困扰。 在这条被许多人渐渐遗忘的街道上，可爱的故事交替上演……©豆瓣

　　Shipwreck survivors are found on Beiru Island (Infanto tô), which was previously used for atomic tests. The interior is amazingly free of radiation effects, and they believe that they were protected by a special juice that was given to them by the island's residents. A joint expedition of Rolisican and Japanese scientists explores Beiru and discovers many curious things, including two women only one foot (30 centimeters) high. Unscrupulous expedition leader Clark Nelson abducts the women and puts them in a vaudeville show. But their sweet singing contains a telepathic cry for help to Mothra, a gigantic moth that is worshiped as a deity by the island people. The giant monster heeds the call of the women and heads to Tokyo, wreaking destruction in its path.

　　三百年后的地球为一群高级科学家所统治，他们奴役贱民以供自己享乐，但有一名野蛮的毁灭者（肖恩·康纳利饰）闯进了科学家所建的世外桃源，使情况整个改观……

　　An audio-visual postcard that director Viera Čákanyová sends to the future, based on her fictional conversation with her future virtual copy. She playfully and intimately explores the potential of blockchain technology and artificial intelligence in solving complex man-made global problems such as climate change or the crisis of parliamentary democracy. From a curious and critical perspective, she questions the ideal techno-optimistic model of the future and offers a window into an unspecified future where some technologies behave randomly or negatively. By combining super 8, 16mm footage on film stock, special lidar scan technology and point cloud methods, she highlights the tension between analogue and digital future of humanity.

　　利用《电子战场2》留下的片段和一条非常细的故事线，亚历克斯再次与1998年在非洲东部的机器人雇佣兵作战。这一次，亚历克斯发现她有20个半姐妹正在等她回到2077年。中央司令部希望亚历克斯被活捉并扫描，看看她的DNA是否比正常的DNA更强更有力。但是亚历克斯可能太苛刻了，不值得去捕捉。

在高华大学变异的经历总在重演，关于军方通缉的亦围绕在脑海，科学家Bruce Banner（爱德华·诺顿 Edward Norton 饰）就在这样的梦魇下在巴西一边控制着体内的伽马辐射带来的异常，一边努力和纽约的蓝先生寻求解决办法。 在汽水生产厂房的他一日不小心割伤手指，让血滴入了汽水瓶，远销到美国的这瓶汽水暴露了他的行踪。美国军方穷尽能力追捕他，还找来求胜心切的英国霹雳将军Emil Blonsky（蒂姆·罗斯 Tim Roth 饰）。被逼到绝路的Bruce变身为绿巨人，Emil和其他军人都大吃一惊。为了亲手擒住Bruce，Emil建议给自己注入可使基因变异的样本。 Bruce在美国隐匿时遇到旧女友Betty Ross（丽芙·泰勒 Liv Tyler 饰），Betty义无反顾地站在他一边，同时发现，她拥有令他体内绿巨人安稳的力量。 那边Emil已经被求胜蒙蔽了眼睛，他的寻衅加上美国军方极度想利用Bruce体内异能作为残暴行径的决心，一场大战已经避无可避。©豆瓣

本作は甲斐が20年以上をかけ構想し書き上げたオリジナル作品。舞台はそう遠くない現代、国家が推進する延命治療として、一定の階級より上の人間が病に侵されたとき、自分と同じ見た目の“それ”が提供されて病の身代わりになるという設定で展開される“命の問題作”だ。

　　Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart.
　　Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory?
　　n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in.
　　What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts.
　　On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired.
　　One thing is for sure O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places.
　　Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.

　　有一个这样的理论：宇宙中存在多个平行世界，而且每个平行世界里都有一个你存在，而且所有平行世界里面的自己会分摊整个宇宙中你所具备的能量。所以，只要平行世界中的你都消失了，那所有的能量将汇聚到最后的一个人身上。正是为了这个目的，夺取所有人的能量，在遥远的未来，名叫基比（李连杰 饰）的杀手穿越时空杀掉了123个平行世界中的自己，获得了超能力。而这时，世界中只剩下自己和另外一个平行世界中名叫盖伯瑞（李连杰 饰）的自己。而身处和平世界中的盖伯瑞，完全没有意识到大难临头。只是在突然的一天，发现自己速度极快、力大无穷，而且有一个和他一模一样的人在到处犯罪，作为警察的自己，必须挺身而出，阻止犯罪的同时也为了拯救自己。

　　Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.
　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.
　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

2010年秋，世卫组织官员小林荣子（檀丽 Rei Dan 饰）随队前往菲律宾扑灭禽流感，疫情很快得以控制，但仍有感染者私自离开疫区……次年，东京都的某家市立医院，医生松冈刚（妻夫木聪 Satoshi Tsumabuki 饰）收治的一名高烧病人入院后情况急转直下，咳血而死，病人家属与部分医生亦因感染而病倒。同时，近郊一家养 鸡场内检测出禽流感病毒，场主神苍及女儿（池肋千鹤 Chizuru Ikewaki 饰）的平静生活被打破。 小林荣子受命至此指导防疫，旧相识松冈担任其助手。疫情迅速扩散，一月之内病亡人数达到两千，各地出现恐慌，引发国际关注，政府迅速将疫区封锁。松冈偶然之下得知病毒源头可能另有所在，国外传回的检测结果支持了他的判断，松冈决定远赴国外查找病源。在空前的疫情中，松冈、小林以及神苍每个人都将面临自己选择的考验。©豆瓣