守望者：罪恶迷途

影片讲述了遭受过情感伤痛的俊枫(朱永棠饰)非常怀念曾经与女友玥曦(李乐儿饰)一起度过的时光，于是来到一家VR体验馆，想要从虚拟中找回曾经。玥曦作为虚拟人物，本不该对人类产生情感，但在与俊枫的接触中，玥曦逐渐对俊枫萌生爱意，两人坠入情网。作为惩罚，玥曦被公司删除记忆，俊枫在虚拟环境中悲痛欲绝坠楼身亡。但故事并没有就此结束，策划这场爱情悲剧的幕后黑手，正酝酿着更大的阴谋。。。

　　吉塔拉尼担任了政府学校的新任女校长，不得不面对淘气的学生、无能的教职员工和缺失的规则。重重困难下，她能否改革教育系统和社会？

　　影片改编自直木奖作家伊集院静的同名小说，讲述的爱犬死去的八岁女孩沙耶香（新津世知 饰演），和多年前失去幼小儿子的老人布濑（笈田吉饰演)在交流重要家人离开的心情时，逐渐温暖内心的丧失感的感人故事

中学教师沈东宝（贺军翔饰），因为梦见自己获得国际最佳导演而立下誓言，立志要拍摄一部国际水准的大片。沈东宝开始为自己的“大片”拉投资找赞助，最终通过七大姨八大姑凑够了五万多，在找资金的同时沈东宝也在寻找适合的演员。无意间他碰到力争上位梦想成为大明星的千千（江若琳饰），最终在她的百般献媚中，沈东宝敲定了这个女主角。刘易守知道沈东宝的计划后，一番赞扬和鼓励，让沈东宝眼前一亮，觉得终于找到了一直寻觅的事业拍档。而刘易守此时的目的，是想方设法地想骗走电影资金远走高飞⋯⋯

在一场审判之中，一位印度陆军尉官诚实但致命的证词令一位名叫迪拉瓦（Vishwajeet Pradhan 饰）的惯犯将要面临为期十年的牢狱之灾。邪恶的迪拉瓦怀恨在心，在蛰伏了十年之后，出狱的他拐走了尉官的女儿阿米拉（艾西瓦娅·雷 Aishwarya Rai Bachchan 饰）。
　　迪拉瓦将阿米拉带到了位于勒克瑙的一家妓院之中，在那里，小小的阿米拉开始学习各种才艺和礼仪。很快，阿米拉就凭借着她出色的外貌和优美的舞姿成为了勒克瑙地区人人想要瞻仰的高岭之花。之后，阿米拉结识了名叫苏坦（阿布舍克·巴强 Abhishek Bachchan 饰）的男子，一方面，她沉迷与苏坦所能带给她的纸醉金迷的生活，另一方面，在内心深处，阿米拉依旧对爱情和婚姻生活怀有着幻想与希望。

　　It is often maintained that films present intimate insight into the lives of their protagonists, usually implying a psychological or physical closeness.

　　Summary
　　Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...
　　Review
　　Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.
　　The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.