泰山

　　炎热夏天，身心疲惫的青年刑警村上（三船敏郎 饰）结束了射击练习后，登上拥挤难闻的公车回家，途中突然发现配枪被人盗走。他奋力追赶，却最终跟丢了目标。村上垂头丧气找到佐藤课长（志村乔 饰），请求解除他的职务，善良的课长则指点他拜托扒手课的资深刑警市川（河村黎吉 饰）寻求帮助。经市川提醒，村上想起公车上身边站着的一个女人，正是女惯犯阿银（岸辉子 饰）。耐不住村上的死缠烂打，阿银透露了手枪贩子的信息。在此之后，村上深入这座城市最黑暗的角落，寻找关于手枪的蛛丝马迹。与此同时，有人用他的手枪犯案，形势日渐紧迫。
　　二战后日本都市的芸芸众生相，通过村上野狗一般锐利的双目交替呈现……

讲述一对因疫情封城而隔离在家的夫妻，开始重新审视自己以及两人的关系。

林嫣嫣被困游戏，闺蜜雨桐与超男试图搭救林嫣嫣，却造成三人同时被困的尴尬局面；林嫣嫣必须要在时限内当上皇后才能逃出游戏，更糟糕的是，皇帝祁钰长了一张跟林嫣嫣现实中的死对头齐钰一样的脸！面对皇帝时的心理障碍，还有三人不定时切换的社死日常，林嫣嫣游戏之路困难重重。

　　面包店助手泰柯（吉亚科莫·费拉拉 饰）厌倦每天一成不变的生活。一日，他在屋顶上吸烟休息时，目睹一只奇怪的海鸥从天而降坠落，泰柯受好奇心驱使出发调查，途中遇见了修女、一群戴面具的小孩、废墟里的养蜂隐士、都市裸体主义者、与美丽的降落伞冒险家史黛拉（奥里莉亚·波伊莱尔饰），不寻常的事件接二连三发生，泰柯彷彿置身于电玩游戏，穿越一道道关卡，这是他逃离日常束缚的开始，在罗马如迷宫般的屋顶上，充满奇遇的华丽冒险就此展开！

　　海滩边，巨浪滔天，英武的骑士布洛克（马克斯•冯•西多 Max von Sydow 饰）与黑衣死神（本特•埃切罗特 Bengt Ekerot 饰）摆下了一盘生死棋局。在下棋的过程中，骑士在回顾自己的人生，所见所闻暗合圣经的图景。十四世纪十字军东征后期，欧洲大陆瘟疫蔓延，民不聊生。布洛克曾遇到过马戏团的一对夫妻，丈夫笃信神明，无比虔诚，妻子则更加现实，唯命是从。他们的相濡以沫让幸福唾手可得。骑士在树林中邂逅了铁匠夫妇。铁匠非常粗鲁，他的妻子很是风骚，他们在树林里对着路人演出双簧，仿佛一对可笑的傀儡。最后，在经历过集体膜拜的祭奠仪式后，武士和他的朋友们再次遇到了死神，曾经的无助与恐惧，愤怒与怀疑，都化作了人生的诘问……
　　本片获第10届戛纳电影节评委会大奖。

　　Summary
　　Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...
　　Review
　　Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.
　　The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.

　　Mari (Marina Vlady) runs a boardinghouse for girls who are in trouble, and Juli (Lili Monori) is a young married woman who is fleeing her passionate marriage with an uncontrollable alcoholic. She has brought her young daughter along with her. Though this is not allowed under the house rules, Mari makes an exception for Juli. Both women are desperately unfulfilled - Mari has a narrow-minded and passionless man for a husband, and Juli still loves her husband, whom she recognizes as a person she cannot continue living with. The two turn to each other for comfort, and each woman gains necessary insights into her own life in seeing the other's struggles. This sober movie by feminist director Marta Meszaros was not a rousing box-office success.