阿学(伊势谷友介 饰)自幼便是品学兼优的好学生,从一流的大学毕业后,他进入了一流的企业任职,之后又创办了自己的互联网公司,事业可谓是蒸蒸日上,家庭也幸福美满。实际上,阿学有一个经营着马场的哥哥,虽然哥哥一直在父亲过世后默默的支撑着阿学求学工作,但阿学却并不愿意承认自己有一个如此土气的哥哥。 灾难突如其来的降临到了阿学的头上,他的公司遭遇了滑铁卢,最终破产,而妻子也因为不堪忍受生活之苦而选择了离开他。无奈之下,阿学只能返回老家,在这里,他隐瞒了自己事业失败的事实,成为了马场的见习管理员。
美丽雍容的齐藤里惠(北川景子 饰)是号称银座NO.1的女公关,她身处男性中间,有如众星拱月,风光无限。可是令人咋舌的是,她竟然是一位有着听力障碍的女性。里惠出生在青森县一个家教严格的家庭,不到两岁的时候她因髓膜感后遗症而失去听力,自然而然也失去了说话的能力。父母并未因她的遭遇而有过多的溺爱,反而更加严格培养里惠,叛逆的女孩开始逃课,酗酒、抽烟、盗窃,用一切罪恶作贱自己的身体,终于令其成为青森第一不良少女。命运之神并没有放弃可怜的女孩,某天她邂逅了一位来自银座的妈妈桑,人生从此发生了天翻地覆的变化…… 本片根据齐藤里惠撰写的自传改编。
1821年,巴西迪亚曼蒂纳山脉,奴隶贩子António回到又大又破的农庄。他的妻子死于难产,他和精神错乱的岳母与成群的黑奴被禁足于这荒无人烟的地方,他娶了死去妻子的12岁侄女Beatriz。不安分的António再次与商队一起远行,年幼的妻子Beatriz却不知如何与黑奴们相处……
Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.