外人眼中顽固、老朽、暴躁、恐同、把爱和好意推开的父亲,尽力与他相处的儿子。看起来是一个纠结、熟悉和让人鼻酸的故事。 维果也是该片编剧主演,影片聚焦”一个儿子与老去的父亲的关系,是一个私人的故事”:John(莫滕森)与自己的同性伴侣Eric和养女Monica一起生活在南加州,一次,他退休了的农民父亲Willis(兰斯·亨利克森)找上门来,要跟儿子住一段时间,父亲那更为传统、家庭化的世界与儿子的世界产生了碰撞。
三仔守着一间过时的钟表行店里早已没有生意三仔平时足不出户老友过世后他尝试踏出停滞的生活久违的第一次爬山三仔就摔伤了脚山上的猴子都在嘲笑他
迷幻少女遇著過氣公安老頭,未必是貓捉老鼠累鬥累,也可以是從老前輩身上學會認識自己。阿 P 為追阿初欠她的債,偶然與阿初的外公相遇,兩個生活態度南轅北轍的人,就是這樣在荒謬的處境中相互學習。阿P在當中看見年青一代的無奈:十六歲的迷途青春、愛情的無助、軟性毒品的蠶食、面對父母失敗的婚姻、自己渾噩的前途....阿初無故失蹤,又是否因抵受不了同樣殘酷的青春?世情像玻璃,有時看得透,有時不,相同的只是:兩者同樣冰冷易碎。 The second feature from Hong Kong indie director Carol Lai is about the vulnerability of youth, made even more fragile by the vulnerable world of the adults. Grandpa Wu used to be a policeman in Mainland China and has now retired to a life of seclusion on an outlying island. One day, her daughter calls him up and reports that his granddaughter Ah Cho is again missing. The old man hits the road again, in search of the young girl. Then P, Ah Cho's best friend, emerges out of nowhere and heads Wu's search, leading the old man into a series of strange encounters in the uncharted world of frustrated youth. Source: 25th HKIFF (2001)
《魂断疯人院》的故事发生在上世纪的战争年代,围绕女精神病医生静秋无故被强行关押到疯人院的线索展开。江洋饰演的志同内心一直默默喜欢着静秋,虽然他的情感一直被静秋忽视。在静秋伺机为自己寻找精神正常的证据的过程中,作为主治医生的江洋给予她尽可能的照顾,但是他的动机却绝非表面看起来那样的单纯。面对静秋的男友文远(孙坚饰),江洋展现了更多的沉静与冷漠,他在静秋与文远之间充当的角色十分耐人寻味。
吴优(黄晓明 饰)虽已到不惑之年,但智商认知水平仍停留在孩童时期。他人如其名,像孩子那般无忧无虑,对世界抱有好奇。至今单身的吴优平日里与乐观开朗的母亲沈丽萍(陆小芬 饰)生活在一起。他在加入了一个叫“阳光俱乐部”的成功学组织后成为了高级合伙人,这时母亲却突患重病。哥哥吴迪(祖峰 饰)作为医生想尽办法为母亲治病,但吴优却选择了截然不同的救母之路。他坚信只要让阳光照进内心,生命总会有奇迹……
Mari (Marina Vlady) runs a boardinghouse for girls who are in trouble, and Juli (Lili Monori) is a young married woman who is fleeing her passionate marriage with an uncontrollable alcoholic. She has brought her young daughter along with her. Though this is not allowed under the house rules, Mari makes an exception for Juli. Both women are desperately unfulfilled - Mari has a narrow-minded and passionless man for a husband, and Juli still loves her husband, whom she recognizes as a person she cannot continue living with. The two turn to each other for comfort, and each woman gains necessary insights into her own life in seeing the other's struggles. This sober movie by feminist director Marta Meszaros was not a rousing box-office success.