乘上夏日影像

十五年前的一次意外，成绩优异高中生宋浩离开了家乡，也离开了原本的人生轨迹。十五年后，他回到家乡，一切仿佛都已风平浪静。与老同学潘晓霜的重逢，给了他人生久违的光亮。他决定揭开那个十五年来不敢触碰的伤疤，重新掌控人生，完成一场似乎不可能的自我救赎。

　　Summary
　　Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...
　　Review
　　Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.
　　The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.

李大理是一名穿梭闹市的跑腿员，在不大的跑腿公司拥有着高达999单的准时送达记录，然而就在他即将以为能够刷新人生记录的时候，这个第1000单的包裹却变成一场彻底打破他平静生活的浩劫，也正因此，让他卷入了一场匪夷所思的绑架案中。一时间，围绕在李大理身边的各式人物纷纷粉墨登场。其中包括李大理的三个一直想要帮他恢复记忆的“挚友”：倾慕李大理的王语嫣、摩托车司机赵德柱、自诩为雕刻艺术家的刘生；以及两个误打误撞的“笨贼”常富贵、郝争气，和极度抠门的跑跑公司老板谢顶。整个事件也因为这样一群各怀目的的人所引发的闹剧，

　　Mari (Marina Vlady) runs a boardinghouse for girls who are in trouble, and Juli (Lili Monori) is a young married woman who is fleeing her passionate marriage with an uncontrollable alcoholic. She has brought her young daughter along with her. Though this is not allowed under the house rules, Mari makes an exception for Juli. Both women are desperately unfulfilled - Mari has a narrow-minded and passionless man for a husband, and Juli still loves her husband, whom she recognizes as a person she cannot continue living with. The two turn to each other for comfort, and each woman gains necessary insights into her own life in seeing the other's struggles. This sober movie by feminist director Marta Meszaros was not a rousing box-office success.