雨中的蜗牛

　　游戏制作大师阿卓的女朋友小优，因为一场意外的车祸而死亡了。而真正的原因其实是大意的死神搞错了对象，误把小优带回了异界。和阿卓感情甚好的小优因不忍看到男友伤心，决定帮阿卓再找个女朋友。于是，她看上了自己的亲妹妹小倩。

沈青怀着孕，压力很大。 她照顾着意外怀孕的学生和患有脑瘫的叔叔，后者有被赶出疗养院的危险。 成本不断增加，时间紧迫，但她和丈夫勉强承受。 当她收到自己的孩子有70%的几率先天残疾的消息时，她的婚姻陷入危机，沈青和她的丈夫为残疾胎儿的命运争论不休，而这个未出生的灵魂却同情地观察着一切。
　　周洲导演凭借池韵的强势主演和脑瘫患者的参与，讲述了一个女人在一个对残疾人抱有偏见的世界里遵循自己道德的悲痛故事。 ——贾森·马赫（摘自大阪亚洲电影节官网）
　　Qing Chen is carrying a child and a lot of pressure. She is looking after a student who has had an unplanned pregnancy and an uncle with cerebral palsy who is at risk of being kicked out of a nursing home. Costs are mounting and time is short but she and her husband are getting by, just about. When she receives news that her baby has a 70% chance of being born disabled, it ignites a crisis in her marriage as Qing Chen and her husband argue over the fate of their unborn baby who is observing everything sympathetically.With a powerful leading performance by Chi Yun and the participation of people with cerebral palsy, director ZHOU Zhou gives a harrowing look at a woman following her own morality in a world where some hold prejudice against the disabled. [Jason MAHER]

　　Summary
　　Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...
　　Review
　　Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.
　　The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.

有人說過「十七歲」是一個具有魔力的數字，因為十七歲正好是青春怒放的時期，離法定的成人還有最後一段的萌昧期。大多數人的十七歲都是在汗水與淚水交織的高中校園度過的，十七歲的生命充滿各種曖昧與可能。
四十五歲則是另一個令人遐想的生命階段，因為在此標注了生命中點的里程碑，準備跨過的是「不惑」的關卡。四十五歲的他們抱著一顆曾經熱血的心展開了一趟追尋高中失聯同學的旅程，大家都以為旅程的終點就是與高中同學歡聚、慶祝同學會，沒想到，等待著他們的卻是一個個沒有逆料到的生命驚奇―― 包括中年失業、子女教養、夫妻關係、身心健康、父母健康、自我實踐與生死大事等問題，彷佛要通過了這重重的考驗，生命才能真的邁入不惑的旅程。
於是，旅途上的他們與那些久違的年輕夢想、熾燃理念與純真初心相逢了，原來，他們一直在尋找的不是什麼失落的青春歲月或失聯的旅伴，而是那一個個被遺忘的「原來的自己」。
旅程如斯奇妙，最後帶著他們一路返回了自己的「初心」。在這個期中休息站，他們盤整了自己生命的得失，加滿了油，再次啟程，往生命後半段的坦蕩旅途一路駛去，這次的終點將是圓融與完滿。

　　关于三个女人和一个女孩的故事，平凡的某一天突然被另外两个人的突然到来打乱。一个在镇上鬼鬼祟祟，就像一个难以捉摸的存在，一个幽灵般的存在。另一个是一名携带枪支的受伤男子，他扰乱了成年熟女的生活方式。整个电影情节发生在现实与想象、梦想与噩梦、恐惧与欲望之间的微妙界限上，在一个笼罩着神秘的故事中，ARIMA可以意为透过迷雾瞥见的东西，是你能感觉到但仍然看不清楚的东西，是一个梦想，一段回忆，一种渴望。。。