126
2.0

小大人

导演:
艾拉·萨克斯
主演:
西奥·泰普里兹,约翰·普罗卡奇诺,Ching Valdes-Aran,斯坦·卡普,宝琳娜·加西亚,塔利亚·巴尔萨姆,格雷戈·金尼尔,詹妮弗·艾莉,迈克尔·巴尔别里,Stella Schnabel,尤隆达·罗斯,Leah Gardiner,Maliq Johnson,Anthony A. Flamminio,阿尔弗雷德·莫里纳,Mauricio Bustamante,克莱尔·弗利,安迪·卡尔,阿瑟·J·纳斯加勒拉,约翰尼·塞雷
别名:
未知
2.0
126人评分
英语 / 西班牙语
语言
未知
上映时间
未知
片长
简介:
祖父过世后,小杰与他的父母搬进祖父位于布鲁克林的房子,很快便和楼下的东尼成为无话不谈的好友,甚至梦想一起读高中,然而他们的友情却因为大人的争吵而有了变化⋯⋯以细腻描绘同志感情世界而备受肯定的艾拉萨克斯,探索着友情的微妙变化,正呼应着前作《爱很怪》里两位主角的爱情,所有的难能可贵却敌挡不住成人世界的算计。
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简介:

  军车在险峻的山路上行驶着。车上坐着四个人:沉默寡言、外表冷峻的汽车兵排长沈新,聪明活泼的新战士王小多,刚多北京某医学院毕业返乡的藏族大学生格桑拉姆,她是受兵站站长委托前去为一名工人的孩子治病的,还有一个是病倒在路旁林中而被救上车的藏族猎人尼玛次仁。
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简介:

  炎热夏天,身心疲惫的青年刑警村上(三船敏郎 饰)结束了射击练习后,登上拥挤难闻的公车回家,途中突然发现配枪被人盗走。他奋力追赶,却最终跟丢了目标。村上垂头丧气找到佐藤课长(志村乔 饰),请求解除他的职务,善良的课长则指点他拜托扒手课的资深刑警市川(河村黎吉 饰)寻求帮助。经市川提醒,村上想起公车上身边站着的一个女人,正是女惯犯阿银(岸辉子 饰)。耐不住村上的死缠烂打,阿银透露了手枪贩子的信息。在此之后,村上深入这座城市最黑暗的角落,寻找关于手枪的蛛丝马迹。与此同时,有人用他的手枪犯案,形势日渐紧迫。
  二战后日本都市的芸芸众生相,通过村上野狗一般锐利的双目交替呈现……

6640
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简介:

沈青怀着孕,压力很大。 她照顾着意外怀孕的学生和患有脑瘫的叔叔,后者有被赶出疗养院的危险。 成本不断增加,时间紧迫,但她和丈夫勉强承受。 当她收到自己的孩子有70%的几率先天残疾的消息时,她的婚姻陷入危机,沈青和她的丈夫为残疾胎儿的命运争论不休,而这个未出生的灵魂却同情地观察着一切。
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红发1925
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更新时间:2025年11月21日
主演:Charlotte Barbier-Krauss,Henry Krauss
简介:

  Summary
  Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...
  Review
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  The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.

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