讲述一对因疫情封城而隔离在家的夫妻，开始重新审视自己以及两人的关系。
The tormented life of Dante Alighieri, from solitary childhood to death in exile, seen through Giovanni Boccaccio’s journey to rehabilitate his memory.
明代皂室的密室，内阁大学士取出先帝钦命摄政王的遗诏，准备在文武大臣中当众宣布，揭晓五位皇叔巾谁被钦定为摄政王。突然，一蒙面怪客骤至，刺死大学士，夺走遗诏。京城总捕头铁中杰追捕时破毒箭射中，临死前告诉弟弟铁中英，这是丹顶红毒。铁中英奉命侦破此案。文武双全、有希望成为摄政王的济州王在狩猎时，被不知从何而来的毒箭射死，用的毒又是丹顶红。好色的汝南王在一次寻花问柳中，亦被毒箭所害，川的毒仍是丹顶红。端州王则认为这是与王爷们有杀父之仇的韩氏三姐妹所为，遂派兵捣毁了她们的山寨白马山庄，并抓了大姐飞云。依云、彩云前去劫狱，遭到埋伏，危急之时，幸得蒙面怿律所救。依云姐妹得知飞云被害，决意报仇。刺杀端州王。行刺时，铁中英赶到，发现刺客竟是他少时青梅竹马的彩云，而死的王爷不是端州王，却是洛阳王。五位王爷只剩下长沙王和端州王了，主凶究竟是谁?案情扑朔迷离。铁中英经初步推测下一个被杀的将是长沙王，于是决意看个究竟。果然，在一个夜晚，蒙面客领着依云、彩云潜入长沙王府，铁中英上|即挥剑直扑蒙面怪客，并刺中蒙面怪客右臂，使之落荒而去。而韩氏姐妹却遭埋伏，依云惨死在乱箭之下，铁中英救出彩云。在洛阳王被射死处，铁巾英找到一个盛丹顶红的瓷瓶，底部印着长沙王府字样。铁中英再探长沙王府，失手被擒，但终越狱逃脱。在彩云的配合下，铁中英几经与长沙F、端州王及蒙面怪客等一伙人斗智斗勇，最后发现蒙面怪客是端州王的总管周峰。铁中英怒杀了毒死三位王爷的真凶长沙王，然而，得到摄政王位的端州王又在进行新的刚谋。铁中英毅然辞官。携彩云浪迹天涯。
Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
有人說過「十七歲」是一個具有魔力的數字，因為十七歲正好是青春怒放的時期，離法定的成人還有最後一段的萌昧期。大多數人的十七歲都是在汗水與淚水交織的高中校園度過的，十七歲的生命充滿各種曖昧與可能。四十五歲則是另一個令人遐想的生命階段，因為在此標注了生命中點的里程碑，準備跨過的是「不惑」的關卡。四十五歲的他們抱著一顆曾經熱血的心展開了一趟追尋高中失聯同學的旅程，大家都以為旅程的終點就是與高中同學歡聚、慶祝同學會，沒想到，等待著他們的卻是一個個沒有逆料到的生命驚奇―― 包括中年失業、子女教養、夫妻關係、身心健康、父母健康、自我實踐與生死大事等問題，彷佛要通過了這重重的考驗，生命才能真的邁入不惑的旅程。於是，旅途上的他們與那些久違的年輕夢想、熾燃理念與純真初心相逢了，原來，他們一直在尋找的不是什麼失落的青春歲月或失聯的旅伴，而是那一個個被遺忘的「原來的自己」。旅程如斯奇妙，最後帶著他們一路返回了自己的「初心」。在這個期中休息站，他們盤整了自己生命的得失，加滿了油，再次啟程，往生命後半段的坦蕩旅途一路駛去，這次的終點將是圓融與完滿。
