盛如曦（舒淇饰）的年龄眼看着就要突破三十五岁大关，虽然拥有着一份稳定且待遇优厚的工作，但她的感情世界却是一片空白。家人和朋友们都在替盛如曦着急，忙不迭的将各路不靠谱的对象介绍给她相亲，深怕盛如曦再拖下去成为嫁不出去的老姑娘，这令盛如曦感到十分苦恼。汪岚（郝蕾饰）和章聿（熊黛林饰）是盛如曦的好友，两人的情况和盛如曦差不多，三个女人坚强的在冰冷的现实社会中拼杀，躲过世俗压迫，躲过流言蜚语却最终躲不过各自内心深处对于感情的渴望。一位名叫马赛（彭于晏饰）的男子出现在了盛如曦的身边，彻底改变了她的命运。
玛格丽塔（马吉莉塔·贝 Margherita Buy 饰）是一位人到中年的导演，随着年岁的增长，她越来越觉得身边的一切都在逐渐脱离她的掌控。玛格丽塔最近正在拍摄一部新片，其中扮演男主角的巴里（约翰·特托罗 John Turturro 饰）是一个非常不靠谱的人，他的不受控制给玛格丽塔带来了非常多的麻烦，令她焦头烂额。 与此同时，玛格丽塔的母亲的健康情况也每况愈下，同时她的女儿似乎也进入了青春期，行为格外的叛逆。一连串意外的发生让玛格丽塔的精神濒临崩溃的边缘，可当她鼓起勇气咬紧牙关，在接踵而至的难题面前见招拆招后，她发现自己似乎对生活有了新的见解。
本片是《天堂的孩子》导演马吉德·马吉迪的处女作。原名《巴都客》，指的是伊朗东南部邻近巴基斯坦边界的一批走私客。这批可怜人有老有少，每天顶着烈日风沙和被军警追捕的危险，像野狗般在荒凉的沙漠上流窜。十岁出头的男孩佳发，正是其中的一位可怜人。佳发因为父亲挖井暴毙，跟妹妹佳玛在流浪途中被人口贩子诱骗。佳发被卖给走私贩阿布多拉，佳玛则卖给阿拉伯人。在佳发的小小心灵中，一直念念不忘的心愿是将佳玛找到兄妹团圆。为了达到心愿，佳发过了一段典型的苦儿流浪记生活。
安妮（黛咪·摩尔 Demi Moore 饰）是一名单亲妈妈，和年幼的儿子过着相依为命的生活。某日，她被选中成为了陪审团的成员，要负责陪审一起黑手党老大的审判。为了笼络人心，黑手党内一位名叫“老师”（亚历克·鲍德温 Alec Baldwin 饰）的成员暗中开始接近安妮，通过对她展开热烈的追求，来试图动摇安妮在判决中的公正之心。 然而，正义感慢慢的安妮并不是轻易就可以被蛊惑的，她相信法律，并且坚定而公正的执行着自己的权利。当黑手党发现他们的“美人计”没有起到预期的效果之后，开始将威胁的刀锋指向了安妮的儿子。
Summary Bullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear... Review Drawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte. The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.
