万物之生

影片取材于Rolling Stones创始人之一Brian Jones在1969年7月2日猝死事件，导演Stephen Woolley寻访了大量当事人，想必这个揭密应该比较权威，或者，我们就权当看八卦了嘛~~~ Stephen Woolley是着名导演Neil Jordan的御用制片人，二人合作的电影有13部，包括《夜访吸血鬼》和《哭泣的游戏》。

A criminal story set in the 1980s. Robert, a young policeman "out of principle", finds a serial gay killer. In the course of the investigation, he meets Arek. She decides to use him as an informant, not realizing how much this relationship will affect not only his work, but also his personal life.

　　Benjamin Bernard has lived his life in the shadow of his brother. Torn between jealousy and loyalty, Benjamin takes out his aggression as a mixed martial arts (MMA) fighter. After an event nearly shatters the life of his brother, Benjamin must face his overwhelming feelings of anger and resentment as he discovers the truth about his family. As one brother fights for his life, the other must fight for reconciliation and redemption inside and outside the cage. This family film explores love, forgiveness, loss, healed relationship and, ultimately, the realization that we are all God's Favorite.

地球约45亿年前形成，主要是由不同元素构成，但由于我们人类对生态环境不断恶意的破坏和过度的采伐导致地球元素逐渐失衡，因此一些邪恶黑暗势力开始复活。人类为消灭邪恶黑暗势力和修复地球元素失衡问题必须重新召唤各元素家族，所以，一场正义与邪恶黑暗势力的战斗一触即发。最终，人类用智慧和正义战胜了邪恶黑暗势力，地球各元素又重新恢复了平衡。

　　Mari (Marina Vlady) runs a boardinghouse for girls who are in trouble, and Juli (Lili Monori) is a young married woman who is fleeing her passionate marriage with an uncontrollable alcoholic. She has brought her young daughter along with her. Though this is not allowed under the house rules, Mari makes an exception for Juli. Both women are desperately unfulfilled - Mari has a narrow-minded and passionless man for a husband, and Juli still loves her husband, whom she recognizes as a person she cannot continue living with. The two turn to each other for comfort, and each woman gains necessary insights into her own life in seeing the other's struggles. This sober movie by feminist director Marta Meszaros was not a rousing box-office success.

　　伊朗著名导演贾法·帕纳西的最新作品，由于创作环境受到限制，因此依然是他自编自导自演，他在片中扮演自己，隐居在紧靠土耳其边境的伊朗小村庄里，通过网络远程监督在土耳其拍摄电影的过程。影片采用双线叙事，极为创新地打破与观众的“第四堵墙”，模糊了真实与虚构的界限。戏中戏的多重嵌套更是创造了让人回味无穷的电影神迹时刻。该片在荣获2022年威尼斯电影节评审团特别奖。